Bride of Frankenstein (1935)

USA,
75m
35mm, black and white, 1.37:1
mono, English
Reviewed at The

An American science fiction/horror film directed by James Whale as a sequel to his earlier Frankenstein (1931).

Plot Summary

Dr and his creation have survived the destruction of Frankenstein's castle. Frankenstein wants to abandon his and settle down with his wife Elizabeth – but the arrival of the bizarre Dr Pretorius and the return of the monster leads to the birth of a new creature – a bride for the original monster.

Credits

Crew
Directed by: James Whale
Copyright MCMXXXV [1935] by Universal Pictures Corp., Carl Laemmle, president
A Universal picture. Carl Laemmle presents a James Whale production
Produced by: Carl Laemmle Jr
Screenplay: William Hurlbut
Suggested by the original story written in 1816 by Mary Wollstonecraft Shelley and…
Adapted by: William Hurlbut, John Balderston
Photographer: John J. Mescall
Film Editor: Ted Kent
Musical Score: Franz Waxman
Sound Recordist: Gilbert Kurland [uncredited]
Make Up: Jack P. Pierce [uncredited]
Special Electrical Properties: Ken Strickfaden [uncredited]
Photographic Effects: John P. Fulton
Art Director: Charles D. Hall
Studio: Universal Studios, Hollywood, California, USA

Cast
Karloff [real name: Boris Karloff] (the monster)
Colin Clive (Dr Henry Frankenstein)
Valerie Hobson (Elizabeth Frankenstein)
Elsa Lanchester (Mary Wollstonecraft Shelley)
O.P. Heggie (Hermit)
Una O'Connor (Minnie)
Ernest Thesiger (Doctor Pretorius)
Gavin Gordon (Lord Byron)
Douglas Walton (Percy Bysshe Shelley)
E.E. Clive (Burgermeister)
Lucien Prival (Albert the butler)
Dwight Frye (Karl)
Reginald Barlow (Hans)
Mary Gordon (Hans' wife)
Ann Darling (shepherdess)
Ted Billings (Ludwig)
? [real name: Elsa Lanchester] (the monster's mate)
Robert Adair, John Carradine, John Curtis, Frank Terry [hunters – uncredited]
Norman Ainsley [little Archbishop – uncredited]
Billy Barty [tiny baby in jar – uncredited]

Alternative Titles

The Bride of Frankenstein – USA (advertising)
De Bruid van Frankenstein – Netherlands
La Fiancée de Frankenstein – France
Frankenstayn'in nisanlisi – Turkey
Frankenstein Lives Again! – working title
Frankenstein menyasszonya – Hungary
Frankensteinin morsian – Finland
Frankensteins Braut – Germany
Frankensteins brud – Sweden
Frankensteins Rückkehr – Austria
I Mnisti tou Frankenstein – Greece
La moglie di Frankenstein – Italy
Narzeczona Frankensteina – Poland
A Noiva de Frankenstein – Brazil, Portugal
La novia de Frankenstein – Spain
I Nyfi tou Frankenstein – Greece (DVD)
The Return of Frankenstein – working title

Sequel to
Frankenstein (1931)


Son of Frankenstein (1939)
The Ghost of Frankenstein (1942)
Frankenstein Meets the Wolf Man (1943)
House of Frankenstein (1944)
House of Dracula (1945)
Abbott and Costello Meet Frankenstein (1948)

Extracts included in
100 Years of Horror (1996)
The American Nightmare (2000)
Bride of Chucky (1998)
Bride of Monster Mania (2000)
The Celluloid Closet (1995)
Coming Soon (1982)
The Funhouse (1981)
Gods and (1998)
Here Come the Munsters (1995)
The History of Horror: Frankenstein Goes to Hollywood (2010)
The Horror Hall of Fame (1990)
Small Soldiers (1998)
Terror in the Aisles (1984)
Universal Horror (1998)

Remake
The Bride (1985)

See also
Young Frankenstein (1974)

References

Periodicals

  • American Cinematographer vol.66 no.1 (January 1985) pp.33-41 – illustrated article (Jack Pierce – Forgotten make-up genius by Frank Taylor)
  • American Cinematographer vol.79 no.1 (January 1998) pp.102-109 – credits, illustrated article
  • Bright Lights no.1 (Autumn 1993) pp.5-6 – illustrated article
  • Castle of Frankenstein no.1 pp.42-49 – illustrated article (Master of horror: Karloff by Keneth Beale)
  • Castle of Frankenstein no.7 p.11 – note (Frankenstein TV movieguide)
  • Castle of Frankenstein no.16 p.20 – illustrated article (All manner of fantasies by Peter John Dyer)
  • Classic Film Collector no.46 (Spring 1975) pp.50-52 (USA) – article
  • Classic Film Collector no.47 (Summer 1975) pp.8-9, 58 (USA) – article
  • Classic Images no.265 (July 1997) pp.34-36 – illustrated review
  • Empire no.163 (January 2003) pp.168-169 – illustrated DVD review
  • Fangoria no.190 (March 2000) p.75 – illustrated DVD review
  • film dienst vol.54 no.8 (10 April 2001) p.37 – review (by Roland Mörchen)
  • Film Weekly vol.13 no.350 (28 June 1935) p.31 – review
  • Filmfax no.68 (August/September 1998) pp.58-64 – illustrated article
  • Filmfax no.72 (April/May 1999) pp.40-41 – illustrated article
  • Historical Journal of Film, Radio and Television vol.20 no.1 (March 2000) p.129 (UK) – article
  • Midi-Minuit Fantastique no.20 (1968) p.58 – review
  • Monthly Film Bulletin vol.2 no.18 (July 1935) p.83 – credits, synopsis, review
  • Scary Monsters no.116 (2020 Annual) pp.28-35- illustrated article (Partial to brain transplants? by Frank J. Dello Stritto)
  • Sight & Sound vol.10 no.2 (February 2000) p.62 – illustrated video review
  • Screen vol.41 no.2 (Summer 2000) pp.161-182 – illustrated article
  • Starburst no.33 (1981) pp.40-43 – illustrated article
  • Today's Cinema vol.72 no.5770 (25 February 1949) p.10 – review
  • TV Times vol.117 no.45 (3 November 1984) p.42 – review
  • We Belong Dead no.2 pp.15-22 – illustrated synopsis, production notes (by Eric McNaughton)

Books

  • 100 American Horror Films by Barry Keith Grant pp.25-26
  • 100 Cult Films by Ernest Mathijs & Xavier Mendik pp.35-37 – illustrated review by XM [Xavier Mendik]
  • After Dracula: The 1930s Horror Film by Alison Peirse pp.12, 37, 47, 72, 127, 141, 171-174, 176, 181
  • The Armchair Odeon: The Collector's Guide to the Movies by Denis Gifford p.11
  • The Aurum Film Encyclopedia: Horror by Phil Hardy (ed.) pp.60-61
  • Aurum Film Encyclopedia: Science Fiction by Phil Hardy (ed) p.93
  • Boris Karloff: A Critical Account of His Screen, Stage, Radio, Television, and Recording Work by Scott Allen Nollen pp.98-126; 375
  • British Gothic Cinema by Barry Forshaw pp.9, 16, 17, 18, 19
  • Censored Screams: The British Ban on Hollywood Horror in the Thirties by Tom Johnson pp.60, 82, 101, 103, 108-114, 118, 123, 124, 128, 139, 152, 166, 168, 185; 193 – notes; credits
  • Classic Horror Films and the Literature That Inspired Them by Ron Backer pp.13-18
  • A Critical Guide to Horror Film Series by Ken Hanke pp.35-38; 48
  • Cult Movies 2: 50 More of the Classics, the Sleepers, the Weird and the Wonderful by Danny Peary – article
  • Educational Institutions in Horror Film: A History of Mad Professors, Student Bodies, and Final Exams by Andrew L. Grunzke pp.32-33, 170
  • English Gothic: A Century of Horror Cinema by Jonathan Rigby pp.21, 43, 47, 307, 358
  • Euro Gothic: Classics of Continental Horror Cinema by Jonathan Rigby p.246
  • Fear Itself: Horror on Screen and in Reality During the Depression and World War II by Melvin E. Matthews Jr pp.95, 101-102, 103
  • Fright Night on Channel 9 by James Arena p.90
  • Golden Horrors: An Illustrated Critical Filmography, 1931-1939 by Bryan Senn p.276-288
  • Horror! 333 Films to Scare You to Death by James Marriott & Kim Newman pp.47, 49
  • Horror and Science Fiction Films II by Donald C. Willis p.45
  • The Horror Factory: The Horror Films of Universal 1931-1955 by Bruce Dettman and Michael Bedford pp.55-61; 171 – article, review; credits
  • Horrorshows: The A-Z of Horror in Film, TV, Radio and Theatre by Gene Wright pp.75-76 – illustrated credits, review
  • John Carradine: The Films by Tom Weaver pp.59-60
  • The Liverpool Companion to World Science Fiction Film by Sonja Fritsche (ed.) pp.89-103 – article (Invaders, Launchpads, and Hybrids: The Importance of Transmediality in British Science Fiction Film in the 1950s by Derek Johnston)
  • The Monster Movies of Universal Studios by James L. Neibaur pp.35-43 – illustrated credits, article
  • Of Gods and Monsters: A Critical Guide to Universal Studios' Science Fiction, Horror and Mystery Films, 1929-1939 (2nd edition) by John T. Soister pp.208-217 – illustrated credits, article, review
  • by Walt Lee p.47 – credits
  • Sci-fi Chronicles by Guy Haley (ed.) pp.18-19
  • Science Fiction, Fantasy, and Horror Film Sequels, Series, and Remakes by Kim R. Holston and Tom Winchester p.185-187
  • Sound Films, 1927-1939: A United States Filmography Volume 1 by Alan G. Fetrow p.68 – credits, review
  • Terror Tracks: Music, Sound and Horror Cinema by Philip Hayward (ed) p.6
  • Top 100 Horror Movies by Gary Gerani pp.176-177 – illustrated credits, synopsis, review
  • Universal Horrors: The Studio's Classic Films 1931-1946 (2nd edition) by Tom Weaver, Michael Brunas and John Brunas pp.120-129 – illustrated credits, article, review
  • Universal Studios Monsters: A Legacy of Horror by Michael Mallory pp.70-73 – illustrated article, review
  • Vintage Science Fiction Films, 1896-1949 by Michael Benson p.137

Other Sources

  • Trieste Film Festival 1968 brochure – review